Miracle Mile: The Evolution of a Street
Online Exhibition
Women shopping at the intersection of Miracle Mile and Ponce de Leon Blvd, 1952. Image courtesy of Coral Gables Historical Resources.
Though outside factors, such as competing shopping malls and economic slumps, threatened the area over the second half of the century, the Mile has prospered through the organized efforts of progressive property and business owners who formed the Miracle Mile Merchants Association in the 1950s and then eventually established the Business Improvement District in 1997. This exhibit aims to honor the movers and shakers of Miracle Mile’s past and celebrate the vitality of its future.
Miracle Mile: The Evolution of a Street is curated by Caroline Parker Santiago, Interim Director and Victoria Gonzalez, Curatorial Assistant.
1920s
The Foundation for Main Street, Coral Way
Merrick designated areas for residential, commercial, civic, institutional, educational, and recreational. The development of a downtown, which had everything a resident needed – medical offices, furniture stores, ice store, gas station, garage, post office, city hall, police and fire stations – and wanted – restaurants, horse stables for recreational riding, talkie film venues – fulfilled Merrick’s vision. Coral Gables became the ideal place to live, work, and play.
Unfortunately, the 1926 hurricane and the Great Depression that followed slowed construction of George Merrick’s Coral Gables and the downtown area struggled until the next wave of post-WWII developers entered the scene with renewed energy and ambition.
133 – 169 Miracle Mile. In 1926, Merrick began construction of the Colonnade, which was intended to host the largest, most impressive Sales Center (now the Westin Colonnade Hotel) for the Coral Gables Corporation, at the intersection of Miracle Mile and Ponce de Leon Boulevard. Merrick hired Phineas Paist, Walter De Garmo and Paul Chalfin to design the building. It was substantially completed when the bottom fell out of the real estate market in 1927. Image courtesy of Coral Gables Historical Resources Department.
Colonade Building, at the intersection of Coral Way and Ponce de Leon Boulevard, March 1, 1927. Manley S. Brower, photographer. Image Courtesy of HistoryMiami, X-0331-1
133 – 169 Miracle Mile. In 1926, Merrick began construction of the Colonnade, which was intended to host the largest, most impressive Sales Center (now the Westin Colonnade Hotel) for the Coral Gables Corporation, at the intersection of Miracle Mile and Ponce de Leon Boulevard. Merrick hired Phineas Paist, Walter De Garmo and Paul Chalfin to design the building. It was substantially completed when the bottom fell out of the real estate market in 1927. Image courtesy of Coral Gables Historical Resources Department.
In 1925, Merrick arranged for a fleet of coral pink streetcars (trolleys) to arrive in downtown Coral Gables carrying dignitaries to the sound of a full orchestra. Opening of Coral Gables trolley line, May 1, 1925. William Fishbaugh, photographer. Image courtesy of HistoryMiami Museum, x-0081-1.
1940s
Making of Miracle Mile
George Zain, “Father of Miracle Mile”
Albert H. Friedman, “Mr. Miracle Mile”
Sam and Mildred Weissel, Developers
Blueprint (north elevation) for a commercial building on the 300 block of Miracle Mile commissioned by Sam and Mildred G. Weissel. Architect is H. George Fink, cousin of founder George Merrick and most prolific architect in Coral Gables. Courtesy of the City of Coral Gables.
Merchants on the Mile
Bolado’s Clothier
Jae’s Jewelers
J. Baldi’s Salon
The Miracle Theatre
Carroll’s Jewelers
1990s
BUSINESSES UNITE
The Business Improvement District originally encompassed property from Douglas Road to Le Jeune Road (east–west) and Aragon Avenue to Andalusia Avenue (north-south). In November 2007, due to the overwhelming demand from businesses just outside the northern boundary of the district, the geographic area was expanded one more block to the north to include Giralda Avenue. The Business Improvement District (BID) of Coral Gables’ mission is to promote commercial vitality to Miracle Mile and Downtown Coral Gables, and to act as a strategic catalyst for the overall improvement of the area through the implementation of marketing and advertising programs and engagement in the form of advocacy. It was the Business Improvement District that led the charge for a new streetscape for Miracle Mile and Giralda Avenue.
Jeanne Becker, founder of Becker Public Relations, was the Chairman of the Coral Gables Chamber of Commerce (‘93-’94) when the idea to create the Business Improvement District (BID) first surfaced. Becker and Chamber of Commerce members researched the need for an independent taxing district that would be an advocate for property owners and merchants in Downtown Coral Gables as well as handle marketing and advertising focused on the area. In 1995, Becker visited a Business Improvement District in Denver, Colorado, which served as a model for what she would later bring to Coral Gables.
Diane Brant was a Coral Gables Chamber of Commerce member and owner of Reminiscence Gift and Antique Store on Miracle Mile. She was well-respected for running a successful business and working tirelessly to make downtown Coral Gables a more beautiful place to shop and dine. Reminiscence was in business on Miracle Mile for over two decades and closed in 2014. She was a big influence and catalyst in the formation of the BID.
Judith Weissel is a member of the Sterling family, one of the first Jewish families to come to Miami in the 1930s. She married Roy Weissel, son of developers Sam and Mildred Weissel, in 1960. Weissel was an elementary school teacher for more than 10 years and became very involved in the community. After Mildred retired in the 1990s Judith managed the properties on the 200 and 300 block of Miracle Mile (southside). Following an unsuccessful attempt to form the Business Improvement District (BID) by Chamber of Commerce members, Judith was asked to assist and helped persuade other property owners and business owners to see the value in the creation of a BID. She has served on the executive committee and the board of directors of the BID from its founding to the present.
Milestones
2016 STREETSCAPE MASTER PLAN
Cooper Robertson, which was founded in 1979, boasts an impressive list of projects including the New Whitney Museum, University of Miami Master Plan, NYC Resiliency Initiative, Pratt Institute, New York Botanical Garden, Museum Park Miami, MGM Las Vegas, Gateway Arch Museum, and Guggenheim Helsinki.
THANK YOU
The Coral Gables Museum wishes to extend its deep appreciation, especially to one of its founders.
Margot B. Friedman came to Coral Gables in the early 1990’s and became a member of the community. An invaluable sponsor to this project, her dedication and enlightenment is highly commendable to vital historical preservation of The City Beautiful. Highlighting those unmatched pioneers whose transfiguration, creatively and unselfishly showed the working way forward for the good, the city, and its community. By placing their magnificent dreams in their lifetimes, they transformed Coral Gables early for us all, and as looking back into the future that meets us here today, we gratefully say ”Thank-you”, for the dreams that turned into our “City beautiful” the place to be a magical treasure, Coral Gables.
This exhibit is sponsored in part by Cooper Robertson, the architecture and urban design firm for the 2016 Miracle Mile streetscape master plan. The Coral Gables Museum wishes to acknowledge the business and individuals who contributed to this exhibit production: City of Coral Gables Historical Resources Department, The Lynn and Louis Wolfson II Florida Moving Image Archives, HistoryMiami Museum, Coral Gables TV, Coral Gables Business Improvement District, Cooper Robertson, Actors’ Playhouse at the Miracle Theatre, Bolado Clothiers, Jae’s Jewelers, Snow’s Jewelers, Earl Jackson AIA, Burton Hersh, Margot B. Friedman, Judy Weissel, Jeanne Becker, Steve Moorman and Ron Gabor.
Copyright
The Coral Gables Museum (the “Museum”) retains all rights, including copyright, in data, text, and any other information contained within the “Miracle Mile: The Evolution of a Street”Exhibit (the “Exhibit”). This Exhibit is copyrighted by the Museum, or by third parties from whom the Museum has obtained permission to publish their materials. Any use of this Exhibit, including modification, transmission, presentation, distribution, or reproduction, is strictly prohibited. You may not display or download portions of this Exhibit for any non-commercial, commercial, or educational purposes. Any prohibited use or publication of this Exhibit may result in criminal or civil liability under United States Federal copyright laws.